The Man Who Knew Too Much

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While drawing the footage out a bit long, he still keeps suspense working at all times and gets strong performances from the two stars and other cast members.

The Man Who Knew Too Much

Hitchcock did the same pic under the same title for Gaumont-British back in James Stewart ably carries out his title duties he is a doctor vacationing in Marrakesh with his wife and young son. Both draw vivid portraits of tortured parents when their son is kidnapped.

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Production : Paramount. Extract of a review from Running time: MIN.

Opening on Wednesday Oct. From Wikipedia, the free encyclopedia. Sight and Sound; London Vol. Sight and Sound.

Doris Day - Que Sera Sera "The Man Who Knew Too Much" - Hitchcock Presents

Archived from the original on 10 March Retrieved 13 April American Film Institute. Retrieved 1 December New York Times.

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  • Rotten Tomatoes. Fandango Media. Retrieved 15 September Ryall, Tom. Alfred Hitchcock and the British Cinema.

    The Man Who Knew Too Much - Enzian Theater

    Athlone Press, Yacowar, Maurice Hitchcock's British Films. Wayne State University Press.

    Youngkin, Stephen D. University Press of Kentucky. Alfred Hitchcock.

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    Filmography Unproduced projects Themes and plot devices Cameos Awards and honors. Blackmail Juno and the Paycock Murder! Rebecca Foreign Correspondent Mr. Alma Reville wife Pat Hitchcock daughter. Some of it doesn't really work. The climax is at the Albert Hall, with 10 minutes of a choral cantata leading up to a single cymbal crash, at which point the assassin will shoot. The shots of the cymbal part, one note preceded by hundreds of bars of silence, have a raucous comedy. The sequence shows Hitchcock, rarely, failing to ramp up tension effectively.

    There is a reliance, too, as so often in Hitchcock, on the stilted performance, notably in the case of the villains. Elsewhere, in Marnie and The Birds , Hitchcock's enjoyment of the poised and glassy presence reaps rich rewards as the surface cracks. Here, the kidnappers present a face of ludicrous and obvious wickedness. But the film has great beauties, too, especially when it returns to London.